Imogen Marchant argues that Leicester University’s removal of Medieval Studies from its English Literature courses is not an effective way of ‘decolonising the curriculum’, and is instead an attempt to avoid tackling key issues.
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Some of DDF’s contributors take us inside the process of the week-long festival.
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‘Open air theatre has been suggested as the salve to the lockdown theatre drought’. Imogen Marchant explores the successes and struggles of outdoor theatre, commenting on the recent production of ‘The Comedy of Errors’.
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“It seems callous for Durham to offer incoming students funds that could be allocated to addressing the issues that generated the strikes faced by existing students this past year.”
In response to Durham’s proposal to offer bursaries to deferring students, Imogen Marchant argues that the university should instead prioritise the experience of existing students and staff.
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“There have been so many phases defined by what I’ve read.” Imogen Marchant discusses which books have enabled her to find her own distinct shelf of books at university.
Read moreImogen Marchant relishes every second of Aliya Gilmore’s ‘Laika’.
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Elliot Ancona’s ‘Tourists’ is well-received by Imogen Marchant.
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“An excavational approach to an investigation that attempts to define the modern day relationship between person and place.” Imogen Marchant reviews one of the shortlisted titles for The Portico Prize.
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“With this new-found happiness, though, has come the realisation that I actually don’t need to constantly improve myself.” Imogen Marchant reflects on learning to be enough in 2019.
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“They’ve had talks on an array of subjects from dark matter, GDP, OCD and the unexpected”: Imogen Marchant talks to Empower Her Voice
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