Review: DDF – Beautiful Nothing by Em Oliver
“Hilarious, honest and humouring, Emily Oliver’s incredible one-woman play was a Durham Student Theatre triumph.” Maddie Clark is blown away by Em Oliver’s ‘Beautiful Nothing’ for DDF 2022.
Read more“Hilarious, honest and humouring, Emily Oliver’s incredible one-woman play was a Durham Student Theatre triumph.” Maddie Clark is blown away by Em Oliver’s ‘Beautiful Nothing’ for DDF 2022.
Read more“Suffragette Theatre Company’s Pramkicker fills the void that has been missing from Durham Student Theatre. The hard-hitting, feminist script packed full of juicy monologues immediately commands the audience’s attention and remains completely captivating throughout”: Honor Douglas enjoys Suffragette Theatre Company’s ‘Pramkicker’.
Read moreButtered Toast presents a new student-written play, ‘The Interview’ by Issy Flower – an exploration of “modern youth and fossilised youth.”
Read moreWomen across the country have stood in defiance of civil law to mourn the loss of Sarah Everard. Saskia Wootton-Cane looks at public protesting and public grief through the lens of Sophocles’ Antigone.
Read moreCharlie Barnett interviews DST alumnus and trainee director Jennifer Lane Baker.
Read more‘ By refusing to unite the artist with their art, we take away their interpretive power and reclaim it for ourselves’ – Charlie Barnett discusses the moral issues of enjoying entertainment created by ‘cancelled’ artists
Read moreSome of DDF’s contributors take us inside the process of the week-long festival.
Read moreFollowing recent criticism of Sia’s upcoming film, Charlie Barnett explores the history of ableism in the arts.
Read moreWith the National Theatre’s new streaming service ‘NT at Home’ recently unrolling, pre-Covid audiences are forced to question the future of live theatre.
Read more“A fantastic escape.” Charlie Barnett reviews DUCT’s radio play, ‘They Met on Good Friday.’
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