‘ By refusing to unite the artist with their art, we take away their interpretive power and reclaim it for ourselves’ – Charlie Barnett discusses the moral issues of enjoying entertainment created by ‘cancelled’ artists
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Some of DDF’s contributors take us inside the process of the week-long festival.
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Following recent criticism of Sia’s upcoming film, Charlie Barnett explores the history of ableism in the arts.
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With the National Theatre’s new streaming service ‘NT at Home’ recently unrolling, pre-Covid audiences are forced to question the future of live theatre.
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“A fantastic escape.” Charlie Barnett reviews DUCT’s radio play, ‘They Met on Good Friday.’
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