Alison Gamble

Frequently overhearing other audience members remarking that they ‘weren’t sure what was going on,’ I’m not certain how far the Woodplayers have succeeded in this dramatic endeavour.

Above all, the showcase will provide a platform for a diverse range of voices, artists and talents. At this point in second term, this is undeniably an attractive opportunity to relax and find entertainment through celebrating women.

HBT’s creatives have produced a crowd-pleasing evening of some well-known rock songs, and their commitment to such a genre is evident throughout.

Alison Gamble reflects on the three productions of the Assembly Rooms night of the Durham Drama Festival.

With a new(ish) troupe and new material, the Revue are ready to unleash their considerable talents on the Durham masses.

Edward Albee’s tale may sound like a bizarre choice for a new term, but LTC are keen to insist that the play is tragic and unpredictable in equal measure.

Premiering for the first time at the Edinburgh Fringe in 2015, this production is definitely a ‘new’ musical, offering a fresh contrast to some of the more serious theatre staged in Durham.

Everything from ‘literature’ to ‘mathematics and grouse’ can be found in the play, presenting a little something for everyone in Durham