Review: The Finalist Showcase 2024

“Each and every one of these talented actors displayed a breadth of dramatic talent across their three pieces.” Ollie Cochran is starstruck by the talent presented at the Finalist Showcase 2024.

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Review: Women of the Manor

“Staying true to the concealed identities, flamboyant insults and double entendres of the Renaissance comedy, Kate Moore’s play Women of the Manor explores queerplatonic friendship with true affection and wit.” Zara Stokes Neustadt enjoys Pitch Production’s ‘Women of the Manor’.

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Review: DDF Opening Night

“Countless creatives, writers, performers and technicians assembling to provide thoughtful entertainment to anyone lucky enough to catch it – therefore what better to introduce the week than a convivial evening of comic talent?” Zara Stokes Neustadt is blown away by ‘DDF’s Opening Night’.

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Review: Education, Education, Education

“Partnering with 93% Club, Castle Theatre Company’s production of Education, Education, Education is an honest, emotive performance that immediately situates itself within the average secondary school, faltering under years of a conservative government.” Hannah Young is impressed by Castle Theatre Company’s ‘Education, Education, Education’.

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Review: The Tempest

“A genuinely beautiful production in a space not often used by student theatre companies”: Joe Rossiter is enchanted by Wrong Tree’s ‘The Tempest’.

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Review: She Kills Monsters

“It is no easy take on a piece of theatre with the range and depth of She Kills Monsters, but Foot of the Hill’s take is as beautiful as it is profound.”: Joe Rossiter has a good time with Foot of The Hill Theatre Company’s ‘She Kills Monsters’.

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