“Those under the breadline cannot be blamed for an absence of feeling personal connection or commonality with this woman”: Hannah Ferguson explores the Queen’s significance within modern Britain.
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Visual Arts contributors contemplate a selection of paintings depicting homosexuality.
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Olivia from Grey and Cleo from Stephenson meet for a blind date at Spags. Marmite proves as divisive a subject as ever but can they bond over Durham’s infamous nightlife?
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“The trendiest and most well-known collaboration between art and technology.” Nicole Wu discusses the recent phenomenon of immersive art exhibitions.
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In the latest instalment of ‘The Indigo Canon’, Holly Hughes-Rowlands makes the case for why ‘Maurice’ is significant in the history of LGBTQ+ representation in film.
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“Judging the way people appreciate exhibitions won’t get you anywhere.” Holly Downes discusses how social media users are challenging cultural conventions.
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“Her unscripted testimonies are crafted just as strikingly as those read from her acclaimed novels and essays”: Elizabeth Buckley is fascinated by ‘Joan Didion: The Centre Will Not Hold’.
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“One of the best shows on TV”: Emily Doughty looks back on Taskmaster’s memorable moments and makes predictions for the latest season.
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“I started to experience an identity crisis because I did not know where I belonged in this world”: Ian Cheung, a second-generation Asian immigrant, details his experience being raised in a predominantly Western society and the cultural dissonance felt by studying abroad.
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Florence Clifford analyses what a ‘girlboss’ might really stand for and how it might be a false promise.
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