Bede Film Society: 60 years of screenings
Freya Williams provides insight into the history of Durham’s oldest student-run cinema.
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Freya Williams
Is the Academy relevant in 2022?
Freya Williams assesses the role and relevance of the Academy going into 2022.
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Review: Last Night in Soho
“Wright renders Soho in a manner that’s engrossingly vivid and appropriately sur-real”: Freya Williams reviews ‘Last Night in Soho’.
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Autumn on the big screen
Freya Williams explores how different films capture the autumnal spirit.
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The presentation of public sexual harassment in the media
Freya Williams argues that the coverage of public sexual harassment in the media is necessary for street safety.
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Review: Hymn
“Essential”: Freya Williams takes a look at the Almeida’s ‘Hymn’
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Lord Falconer: why the pandemic has exacerbated inequality
In light of a comment made by Lord Falconer in June, Freya Williams assesses the extent to which the coronavirus pandemic has widened the inequality gap.
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The Netflix Machine
“Netflix has irreversibly altered the way in which we consume and value films and television programmes.” Freya Williams reflects on the damage Netflix has afflicted unto the film industry.
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Album Review: Celeste – Not Your Muse
‘Not Your Muse is the album that Celeste deserves to be credited with.’ – Freya Williams reviews Celeste’s brand new debut album.
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Awarding Nobody: ‘Minari’ and the Golden Globes
Freya Williams provides a thoughtful analysis questioning why ‘Minari’ was shunned – and, in turn, what makes a
film worthy of artistic merit