Confessions of a twenty-something editor
Cameron Beech talks freshers mistakes, beautiful accidents and life as an Indigo Editor.
Read more
Cameron Beech
A letter to Joan Didion
In her final editorial, Indigo Editor Cameron Beech muses on the essays of Joan Didion.
Read more
Looking Back at Palatinate with Tim Alden
The Indigo editors chat to Tim Alden about his time at Palatinate in the 80s and subsequent career.
Read more
75 years of Palatinate and arts journalism
For this special 75th Anniversary edition of Palatinate, Indigo Editors Cameron Beech and Charlotte Grimwade consider the paper’s connection to the arts and delve into Indigo’s predecessor, sense.
Read more
Does fashion need a purpose?
In this print edition of Indigo, Cameron Beech debates the reason for fashion and fashion’s end purpose.
Read more
Review: Marian, or the True Tale of Robin Hood
“An exuberant, witty yet heartfelt performance brimming with comedic one-liners and side-splitting dialogue, Foot of the Hill Theatre Company’s Marian, or the True Tale of Robin Hood explores themes of sexuality, identity, gender-reversal and what it means to be female amidst the backdrop of medieval Nottingham, within the realm of Robin Hood.” Cameron Beech loves Foot of the Hill Theatre Company’s ‘Marion, or the True Tale of Robin Hood’.
Read more
Blind date with a book – is book marketing doing too much?
“If this is how a reader falls in love with an author, then I couldn’t think of a more romantic meet cute.” Cameron Beech looks into marketing strategies in the literary world.
Read more
New year, same old me
In the first print edition of 2023, Indigo Editor, Cameron Beech debates the effectiveness of the ‘new year, new me mentality’
Read more
Student art prize 2022/23
Visual Arts editors James Macfarlane and Cameron Beech look to this year’s Student Art Prize and its chosen theme of ‘Sanctuary’, with comments from Ælfred Hillman, president of the Durham University Art Society, and Alix Collingwood-Swinburn, Curator of Contemporary art
Read more
The art of horror: why does it exist?
In celebration of Halloween, Visual Arts Editor Cameron Beech explores different interpretations of horror in art.
Read more