Freya Neason writes that the third book she read from the longlist of the Baileys Women’s Prize for Fiction offers a ‘vivid picture of gloomy post-war Britain' and a 'sensitive and enlightening account of the past horrors of tuberculosis.’
Eloïse Carey responds to a lecture hosted by two of the world’s leading experts on terrorism – Professor Richardson, Vice-Chancellor of the University of Oxford and Professor English, fellow in the George J. Mitchell Institute for Global Peace,...
‘The writing style was not to my taste’: Freya Neason tells us why the second book she chose from the longlist of the Baileys Women’s Prize for Fiction was ‘not what had hoped.’
Freya Neason picks her first book from the longlist of the Baileys Women’s Prize for Fiction – a ‘gripping and compulsive read’.
Beatrice Scudeler tells us why this ‘predictable’ and ‘unoriginal’ novel disappoints.
Freya Neason argues that ‘the independent bookshop provides more than just books and the interactions extend beyond those of retailer and customer.’
Fourth Wall Theatre Company offers a ‘creative re-imagining of Wilde’s only novel’ for performance in Durham.